Crossing the Mason-Dixon Line

Crossing the Mason-Dixon Line

Whenever my work takes to me to our site in Eatonville, Washington, I prepare myself mentally, spiritually and physically.  It is not that the drive from our headquarters in Tacoma is exceptionally long or difficult, although there are no direct routes from the west side of Pierce County to the southeast side where our Eatonville site is located.  On the contrary, I look forward to the spectacular views of Mount Rainier, the Great Mother of the Puyallup Indians, to the quiet hidden lakes tucked behind massive old-growth-trees, and to the expansive dairy farms with massive iron gates set back at least a quarter-mile from the road.  These natural treasures make the hour-long journey to Eatonville well worth the trouble of traffic on South Meridian.

I was grateful that the endless lights between 112th and 160th and Meridian were cooperating with me.  I marveled at the complex lights and criss-crossed lanes that led in and out of expansive strip malls along the way.  Forward-thinking developers had long ago gobbled up prime tracts along Meridian like my brothers gobbled up Thanksgiving turkey.   There was now only the residue of the luscious and fruitful valley that lay peacefully undisturbed at the foot of Mount Rainier.  Fields once teeming with daffodils and strawberries were filled to capacity with retail sprawl serving the growing residential communities nearby.  It was hard for me to complain too loudly about this sprawl, for I lived in one of those residential communities myself.

My prayers for traveling grace were answered through the major intersections at 176th Street and 224th.  There was only one major intersection left to cross, one that caused me to breathe deeply in and out, and in and out again.  For some reason unknown to me,  the intersection at South 304th Street made me incredibly nervous, even in broad daylight.  Nothing bad had ever happened to me there, but in my heart I was convinced that 304th Street was the Mason-Dixon line of Pierce County.

Perhaps it was the Trump-Pence signs that dotted the landscape with larger-than-life billboards that troubled me, or the Grange Halls where the reminders of Tea Party meetings were spelled out on the reader boards.  Or, maybe it was the four-wheel trucks with Confederate flags and rifles in the back window that shook me to my core, especially when their tobacco-chewing-drivers with rednecks gunned their loud engines and glared back at me as they sped off from the light.  Perhaps it was because I was convinced that I was entering a no-negro-colored-black-African Americans-allowed-zone, where, no matter what I had accomplished in life, no matter what my good intentions were, I would not be welcome.

I wondered if this was how my parents felt about the real Mason-Dixon Line — the one that separated the north from the south, and the free from the unfree.  They had lived on the south side of that line until 1966, when they had packed their seven children  into an old Buick station wagon and set their course for Fort Lewis, Washington.

“This and my maps will get us to Washington without trouble,” my father had said, holding up a well-used copy of the Green Book.  The Green Book was an essential tool for Negro travelers in the 1960’s, for it freed them from the stress of stopping at places where trouble was waiting — places that served whites only — places where my father and mother and their seven children were explicitly not welcome.

There were two reasons we were leaving Fort Benning.  The first reason was intimately connected to the second.  My father was  being transferred to what would ultimately be his last duty station in the Army, and he had chosen Fort Lewis out of all of his options.   He had chosen Fort Lewis instead of  a duty station closer to home for the second reason –the main reason we were leaving Columbus, Georgia in the first place — because there were so many places below the Mason Dixon Line that we were not welcome; so many places to eat and drink and sleep and shop that had ignored federal law compelling them to comply; too many places where law gave way to long-held and stubborn vestiges of racism and separatism that wore my parents and their parents’ spirits down to the bone.

We moved because my parents were “sick and tired” of being unwelcome.  They were sick and tired of segregation and Jim-Crowism; of back doors and back seats and back-woods politics.  They were sick and tired of being treated as second-class citizens in a separate-but-unequal world.

My father had Nat Turner fire in his eyes the morning we left Fort Benning.  He had used the Green Book and his maps to plan in advance our escape to freedom– that kind of freedom that Martin Luther King, Jr., talked and dreamed about until he was murdered April 4, 1968.

“They killed the man,” my father had said aloud with tears in his eyes when Walter Cronkite had shared the news about Dr. King’s assassination on television, “but they can’t kill the dream.”

The lure of the dream had inspired my parents to leave the familiar ways of Georgia where they had both been born and raised, and set out for the unknown and unfamiliar Pacific Northwest.  It was a dream that imposed great hardship on my mother, who had never been further away from home than Alabama.  She relied heavily on her own mother and the long-standing network of cousins and friends to help her during my father’s extended duty assignments to places like Germany and Korea.  Not only was she leaving her support system behind, but she was leaving in the middle of a difficult pregnancy with the eighth of her nine children.  It was risky on so many levels.  What if she went into labor and couldn’t find a hospital that would allow her to enter?

I remember overhearing my Nana pleading with my mother not to go, for the sake of the baby.  I also remember how adamantly my mother had said, “Mama, I got plenty babies, but I only got one chance to get out of Georgia, and I am taking it.”

My mother had seen a light in the door of opportunity; even her unborn child couldn’t stop her from walking through it.

Perhaps it was my parents’ deep convictions and desire for opportunity that propelled me and my siblings to achievement.  Perhaps it is their courage and drive that inhabits my breath, energizes my body and inspires me to overcome my fears as I cross this new Mason Dixon line at 304th Street.  Unlike my parents, I have no Green Book to tell me where I am welcome along the way; no maps that make visible the hidden attitudes and intolerance that was open and known in Georgia.  Although I have little or no lived experience of separate-but-unequal, or being told explicitly that I was unwelcome because of my race, I recognize that my hesitation at 304th Street happens because I am conscious.

I am conscious of whose child I am, and the context of my birth below the Mason-Dixon line.  I am conscious of my no-negro-colored-black-African Americans -allowed ancestry.  I am conscious of the history of the Middle Passage, and slavery and Jim Crow.  I am conscious that I was afforded the opportunities for education and jobs and experiences that led me to this great work in Eatonville, Washington.  Because I choose to be conscious of my parents and grandparents’ experience in the world, because I choose to carry it in my heart and mind and spirit, I stop here at 304th Street to acknowledge that  experience, and to see the line my parents saw back in 1966.  I stop to show gratitude for the dream that inspired my parents to move across the Mason-Dixon line to the beautiful Pacific Northwest, and I breathe in and out, and in and out again.

The Dreamer of Community

I had traveled nearly an hour to seek his wisdom, but it had actually taken me four years to be in the right place at the right time.  I was excited, nervous, humbled to be in the presence of Malidoma Patrice Some’ — this internationally known Elder, this great mystic of our time, this learned Professor of African Studies turned philosopher of West African traditional religion and beliefs.  I had read all of his books about his early life and experience, and studied his traditional wisdom and rituals like a ravenous student.  Finally, as if for my singular benefit, the universe had brought him within my reach on this cold, clear Sunday evening in December.

In my hand, safely tucked into a cellophane sleeve, were the drawings, notes and photographs I intended to share with Elder Malidoma.  I had chosen them carefully, as a way of conveying subtle and explicit information about who I was in the context of my family.  There were my child-like drawings from deep meditations I had experienced during my graduate studies.  There was an 8-1/2″ X 11″ copy of my father’s obituary with his face on the front cover, and a 3″x 5″ photograph of me as an infant, sitting on my mother’s lap, surrounded by four of my eight siblings.  And, of course, there was my most prized possession–a grainy old Polaroid photograph of my maternal grandmother, Nana Ruby, and her husband, who we respectfully called “Uncle Buddy.” I imagined her photograph, in particular, would provoke spiritual dialogue and open access to information that Elder Malidoma might otherwise overlook.

I had arrived 45 minutes early to the address in West Seattle, and the host, Queen, invited me to wait in a small space just off her kitchen.  The house was warm and comfortable, and I felt welcome and at ease with a steaming cup of herbal tea and Queen’s conversation.  I waited patiently for the appointment that preceded me to conclude, and,  sooner than I expected, my time with Elder Malidoma finally came.

He was situated in a small room framed by red curtains,  just off the front entrance to Queen’s home.  I hadn’t noticed the space when I first arrived, but now I could not help but notice the candles, the shrine, and the smell of burning sage that greeted me as I entered the room.  Elder Malidoma was just as warm and friendly as the space he inhabited with his intense aura.  He was smaller than I envisioned from the photographs and images I had seen of him through email and social media.  His rich brown skin seemed almost translucent against the backdrop of the lime green-and-white-embroidered dashiki with matching kufi he wore.  To my eyes, he was the epitome of a royal African Priest, a griot, a revered Shaman, adorned for a wedding, or some other special celebration.  I felt honored to be in his personal presence; so much so that I folded my hands as if to pray and bowed my head in deference.

We began talking immediately about the artifacts I had brought with me.  I felt immediately inspired by his reactions to my photographs and drawings, and especially my photograph of Nana and Buddy.  We were talking as if we were old friends catching up on new happenings.  I was caught up in the excitement and candor of our interactions, until I remembered I had failed to turn on my voice recorder.  Elder Malidoma smiled at me, and patiently waited for me to find the voice recorder on my phone and set the volume.  As soon as I was ready, he turned my attention to the table, where I noticed for the first time the mound of curiosities before me.

“Go ahead and move this clockwise with your dominant hand,” he said quietly.

I obeyed immediately, staring with anticipation and curiosity at the menagerie of cowrie shells, stones, coins, bones and tiny pieces of art that moved so freely under my control.

“Now go in the same direction again,” he instructed.

Again, I moved the mound, this time noticing how the pieces fell within the four quadrants that were painted in vibrant colors on the table cloth.

I took a deep breath and sat back quietly, waiting for him to speak.  I was receptive and open but had no clue what message lay in the shells.  It was divine wisdom, just beyond my conscious understanding, the complexity of which could only be translated and explained by the likes of Elder Malidoma.

“Yes,” he said assuredly, as if the shells had agreed with his intuition,  “it makes sense that The Ancestors have a plan that is associated with you.  It relates to a job that you need to organize in order to bring something out into the world that will be cleansing, purifying and soothing to community.  Also transformative.  You are put into a task of contributing change and transformation.  It might come across looking like a certain specific leadership you are meant to exercise.”

“These ancestors want to use you as a vessel to effect this change, but they are even more interested in how it is going to look like.”

“You have a lot of healing powers that were passed on to you.  In fact, it is in your bones, in your DNA — a lot of powers that are ancient, plus some devotion –devotion to change and transformation, all having a specific authentic signature that can be literally traced all the way to the Main Continent.  It is that old.”

“In this day and age, it (your power) has to come out into the world as this –a personal medicine that is achieving just that.  You see,” he said, pointing to the shells and bones, this piece and this piece are the same.  Your personal medicine is meant to translate into some transforming powers that you are able to wield.”

“It simply means that at this juncture, you are shaped in the likeness of OShun, the deity of the water, which suggests that you have a connection with the Middle Passage — the Middle Passage which means those ancestors who were scheduled to come here in shackles and didn’t make it.”

I could sense that Elder Malidoma had found a new source of energy.  Perhaps OShun had infused him with power and passion at the mention of her name, for his earlier tiredness had given way to excited exhortation.

“The point at hand,” he continued, “is that the work you are being called to do is indeed healing work that is rooted in love– love for your people, love for the younger generation.”

“OShun is the archetype of the loving mother, the loving feminine.  That ‘s why,” he said as he gently touched a heart-shaped rock,  “you have the heart right in the midst of community.”

“It is important that you look at this from a programmatic perspective.  That’s why you have these blueprints here,” he said, looking at my drawings.  To be able to do that will require that you get back in touch with the dream channel — we call it the contemplative or the imaginal.  That puts you in a position to be the dreamer of community.”

“Your intuitional instincts are very, very alive, high vibration, sensitive to the maximum –which means they are being underused right now.  They are being tapped on by the ancestors, and it would be therefore a good idea for you to use your mind to pay attention to that.  If you are going to write something, it is not going to come out of your head, it’s going to come out of your body.  If you are going to convey something that is as symbolic as this,  it is not going to come out of an analytical mind that is there to explain this or that.  No.  It is going to come out so condensed, so cogent, that it is the mind that is going to get into what has come out in order to expand and to spread it out.”

“But, the first and foremost thing will  have to be channeled.  By channeled, I mean putting yourself on loan to an other-worldly intelligence that will then provide the expanded blueprint of that which, later on, will be subjected to a translation.”

“It therefore defines you as a translator, a communicator, yes, but also a translator.  This is why you feel the mystery, the mysticism associated with this discourse that you can’t translate.  They have to be there as the stimulant, the one that stimulates you to see meanings that are independent of human standard words, to reach understanding or picking up the semantic of them without the need to actually give an English translation of them.”

“And, so, as I look at this,” he said referring to the incoherent words I had scribbled on my drawings,” these things are like headings — like titles –subject matter that need to be put like this, and then a story is narrated down below to convey their meaning without a literal translation of them.”

“And, so, it is critical that you see yourself as if you are a conveyor belt for some gems of wisdom that belong in the other dimension, wanting to come through into this world as teaching material for too many young people who are really struggling to find their way, and being the symbol of the archetypal feminine mother with the capacity to guide.”

Elder Malidoma shifted his torso and took a deep breath as though some new message required extra energy for him to speak it forth.

“You see all these shells?  These are children, these are young people!  You are guiding them to the place of their power, uniting them in their core identity.  It is critical that your mind be dwelling in what kind of stories do you need to use as a meal to be served to their psyche, to their spirit, so that they can be moistened and imbibed by this in such a way that as they grow, it is growing with them. This is an important and very overwhelming duty to dwell on, and yet it is unavoidable.”

“The posture that you have here is indeed the proper one.  It is one that is sandwiched between the task of cleansing generations away from negative conditioning that is keeping them stuck in one gear, unable to make it through, and a duty, a job that needs to be structured, organized in such a way that it becomes, when delivered, an instrument of hope, an instrument of vision that gives a chance to others to see possibilities where before, they couldn’t see any.”

“And so, in the end, what this means is more like a task  that has to begin with you being able to tune into this reality.”

More to come…

All Thought is Creative

A prayer is a movement of thought for a specific purpose in the mind of the one praying.  By mind, we mean consciousness.  There are two aspects to mind — objective and subjective.  The objective houses the conscious use of mind.  The subjective acts upon our thoughts and is a creative use of mind.  It is responsive to and set in  motion by the conscious mind. All thought is creative.  The Science of Mind  by Ernest Holmes

If all thought is creative, how does one explain a major disaster, or what appears to be evil or intentional harm to whole communities of people?  To whose thoughts might generational poverty, crime, or hunger be attributed?  Are these events the result of divine cause and effect? Sowing and reaping?  Karma?  Have the victims engaged in a conscious and collective use of “creative thought” to their own detriment?  Has their collective thought yielded a multi-generational effect upon their community culture?

If all thought is creative, how might the creative thought process be applied to a community that lacks conscious awareness of its creative power?

The Science of My Mind

In the beginning, the Goddess Caliyah received her name.  It was a transliteration of the name of the Great Hindu Goddess Kali, the Goddess of Fearlessness.   The name also translates as shining thing or bright thing.  As her first fearless act, Caliyah began a spiritual journey through the foundational principles of the Science of Mind, the Church of Spiritual Living, and the philosophies of Ernest Holmes.  This blog captures that journey.

“Sweetness and patience are the fortress of your being.”